48 Hours

I can't say this is a big improvement but I will have something to work with in the morning. There still are plenty of adjustments to be made. Not everything is in the right place. Also I think all the features are a little too big. I'll just paint and figure it out as I go.

Poppyseed Oil

I gathered all my unfinished jars of medium and combined them. I have been using this mystery mix for all my current paintings. I did leave out the ones with driers or alkyds. I am using  mix of rectified turpentine, linseed oil, a little stand oil, and an indeterminable amount of damar varnish. I am not sure if I need the damar. It speeds the drying and makes the paint surfaces a little tacky. I began adding poppyeed oil to slow the drying. It is a very clear oil and can take up to a month to dry. With the atmospheric conditions in my studio my paintings might not dry until next year. 

I am painting pretty directly for the most part. A little blending when the surfaces allow it. The paint layers are probably borderline transparent. At times the paint is so thin they are like a glaze. I am actually beginning my paintings with this medium rich paint. I just need to make sure that I leave the areas with lighter values pretty clean. If I compose the paintings reasonably well the paintings go pretty smoothly. I began a couple Bouguereau copies with my new slick approach. I also started a Morandi copy which is very exciting.

Yet More Barack

Painting Begins to Shape Up

More Barack

I put highlights on Barack for a few minutes. I think the painting got a little better. I put the painting down and moved on to something else. He's back lit hence the white outline.

Obama

Here is another oil sketch. It is by no means perfect but that does not mean this painting is hopeless. The facial features seem out of alignment but I ran out of time to get a better understanding of the proportions. I'll approach the painting like I always do. I won't address any problems directly. I'll just paint and hope the problems will sort themselves out on there own. That might not seem very convincing but it often works. The painting needs a light touch. I leave everything half baked for a while. Nothing needs to be anchored down too concretely. I just want a hint of what is the painting to become.

More on Palin

I stopped obsessing about finishing anything in one sitting and have been bouncing around from painting to painting. I found that can keep things fresh. I am using so much linseed oil that nothing is drying. That way I can keep working wet on wet without having to worry about anything drying. I have been rotating the paintings around as I work the images up. I spend half the time painting on the canvases that are upside down. Each time I turn the canvas I find that I feel like I am approaching a fresh image. I have stopped trying to paint a perfect portrait and instead have been focusing on the shapes as simply abstract shapes. This detachment helps me keep the painting alive.

I had some left over mud on my palette and made a mid tone color for Sarah Palin. I like to slop the paint on pretty loosely. I used this mid tone for a few minutes until that approach started to feel old. I then took the painting off the easel and left it alone. No reason to overwork anything. 

I think I am pretty sure I won't be doing any blending on this painting. As the painting develops I am hoping that the last layer of paint will be more transparent. I'd like Palin to look ghostly. We'll see.